thesupeaturalisalixedhtherealthehsiyuchi；translatedinoutlineby
drtithyrichardsinassiontoheaven；describestheexploitsandadventures
ofthenkhsiiantsanginhispilgrigetoindia；inthepanyofthree
extrelylovablesehunbeings；sunthenkey；ghuthepig；andthe
nksanditisnotanoriginalcreation；butisbasedonareligiousfolklegend
thestlovableandpopularonkeys
thesanspirit；eteallyaingattheiossibleheatethe
forbiddenpeachinheavenaseveatetheforbiddenappleineden；andhewasfinally
etheuse
thede；andheo
undertakethejouey；fightingallthedevilsandstrangecreaturesontheway；asan
atonentforhissins；buthisschievousspiritalained；andhis
developntrepresentsastrugglebetanspiritandtheholyway
hehadonhisheadanironcrottedatransgression；
hsiiantsangsincantationhecroopressonhisheaduntilhishead
etichuthepigrepresentstheanil
desiresofn；enedbyreligiousexperiencethe
nfliptationsinahighlystrangejoueyundertakenbya
panyofsuchierfectandhighlyhuncharactersproducesantinualseries
oficalsituationsandexcitingbattles；aidedbysupeaturalagic
poonkeyhadstuckawillbe
transfordintoanylengthhedesired；and；reover；hehadtheabilitytopullout
hairsonhisnkeylegsandtransforhentoanynuerofsllnkeysto
harasshisenees；andheuldorantorasparrowora
fishoratele；outhandtheidolfor
histongue；readytogobbleupthehostilensterincaseheshouldcrossthe
thresholdofthetelesuchafightbetonkeyandasupeatural
spirit；bothselves；chasingeachotherintheair；onearth；
andintheer；shouldnotfailtointerestanychildrenorgrotoo
oldtoenjoyckeyuse
thisloveofthesupeaturalisnotnfinedtothetaleoffindsitso
alltypesofnovels；invalidatinginpartsevensuchafirstclassnovelasthetehsao
paoyen》elovebinedithasinvalidated
ystery；asinthepaokunganakesthe
developntofthedetepossible；osuchcausesasthe
lackofscientificreasoningandthecheapnessofchineselivesforhinese
diesthegeneralnclusionisthatheisdead；andthatisfinalthechinesedetective；
paokung；agistratehielf；solveshissteriesandrders
alsinsteadofbysherloessreasoning
inloosenessofplot；thechinesenovelislikethenovelsofdhlailaritybetween
elyrealistic
teselveshtellingthestoryhout
thesubjectivitycharacteristifthenovelsofeeuropefinepsychological
portrayalthereis；butthereisverylittlerooortheauthortoexpandoverhis
psyitigated
delineationofstarkdepravity；too；thegoldvasepluasnothingtoloseby
parisonazovtheplotisgenerallybestintheclass
desananners；hhasbeenin
vogueinthelastthreedecades；theplotoaseriesofbadly
nneselvestheshortstoryitself
didnoteveneintobeinguntiltheverylastdecade；odeersare
tryingtoilartotheyhavereadineliteratureinthe
originalorintranslation
onthepoofthechinesenovelreflectsverypoofchinese
lifeitisenorus；bigandvariegatedandisneverinahurrythenovelisavowedly
e；andetokillandthereaderinnohurry
tocatchatrain；thereisnoreasonusthurrytotheendachinesenovel
shouldbereadsloperherearefloheway；who
isgoingtoforbidthetravellerfrotoppingtocullthebr 》
xlinfluenceofeliterature
eet；itisnaturalandlogicalthatthericheroneshouldgiveand
theothershouldtakeitistruebutitissotishardtobelievethatitisre
blessedtogivethantotakechinahasapparentlygainedchinthelastthirtyyears
inliteratureandthoughtustbeentirelycreditedtoeinfluencethis
acknoentofthegeneralsuperiorityofeliteratureinr
………………………………
第91节
ichnesscaas
sothingofabadshoefifty
yearsagotheethirtyyears
agotheypressedbythe；abouttyyearsagothey
disveredthattheevenhadaverygoodliterature；andnoepeopleare
kingtheslohatthehasevenabettersocialnsciousnessand
bettersocialnners
thatisaratherlargerselforanoldandproudnationtosperhaps
chinaisbigenoughtose
oreprofoundchangeinstyleandntentthanit
everthroughinthepastthousandyearsdirectlyduetotheforeign
influen：the
enaniuedhtheespirit
itsvoore
aterialofourthinkingentoftheraw
terialofourthoughthaseachangeinstyle；odeized
beyondregnitionthatoldscholarsfindgreatdifficultyinfollohee
andpletelosstoagazinearticlethatuldbeaccepted
regardingeitherstyleotentnesofliterature；liketheverslibre；poe
inprose；theshortstoryandthededrahaveeintobeing；andthe
techniqueofodifiedaboveall；theoldstandards
ofcriticisontheilartothoseofthefrenchneoclassicalschool
thatdetheapprepossibleforacenturyandahalfin
europe；havebeenabandoned；andintheirplaceherandbroader
literaryideal；ustbringaboutaonybeterature
andlife；agreateraccuracyofthinkingandagreatersincerityofliving
ofurseitisreblessedtogivethantotakefore
orethanthat；progressisalwaysugly
inds；we
havelostaonsense
thetaskofadjustntbetuchforthe
ordinaryn；anddeeiaturity
ofthinking；fiperandshalloandtheoldis
diffi；atinge
oflibertinisalaentalballast；extreiatiencehanything
oldandchinese；extregullibilityinacceptingtheyearly”neodels”ofthought；
aperpetualhuntforthelatestpoetfrougoslaviaorthene
bulgaria；greatsensitivenesstohingchinese；h
silyansala；fitsof
lan；theyeartoyearlikeadog
bitingitsoodechina
thegiftofseeinglifesteadilyandseeinglifeeratureis
and
theotherofferingnissapanaceaforallsocialills；andthereisprobablyas
littlerealindependenceofthinkingasthereeverhallthe
apparentencipationofideas；theoldpsychosisofthegrandinquisitionisstill
there；undertheodeterfor；afterall；thechineselovelibertyasthey
loveaforeigntte；fortheyhavenorealaffectionthesearetheugly
featuresoftheperiodoftransition；andtheyintihina
beespoliticallybetterorganized；anditssoulhaslesssensitivespots
allthesechangeshaveethroughtheinfluenceofeuropeanliteraturethis
influenceis；ofurse；notnfinedtoliterature；forchinahasreapedinoneharvest
thefruitsofescholarshipinphilosophy；psychology；sciencetechnology；
enoodeesandsongsanddancesarenoroducedthepositive
resultofitsprogressinliteraturehasbeensuarizedinthediscussiononthe
literaryrevolutionthisinfluenceesasadirectresultoftranslationsofeuropean
literatureaglanceattherangeandntentofthesetranslationshe
extentand；incidentally；thetypeofthisinfluence
the15134yearbookofchinesepublicationsinchinesegivesalistofthese
translationsofpoe；shortstoriesandnovelsdeinthelasttythreeyears；
veringteansplete；butwillservefor
ourpresentpurposegivenintheorderofthenuerofauthorsrepresented；theyare
asfolloany30；japan30；unitedstates18；
italy7；norhe
rest；s；finland；czechoslovakia；austria；latvia；bulgaria；jugoslavia；
syria；persia；indiaandsiarepresentedbyoneauthoreach
anexanationofthetranslationsfronglishauthorsshohatthenovelistsare
representedbygeorgeeliot；fielding；defoeincludingllflanders；kingsley；
sith；thebrontesistersheringheightsandvilhtte；stt；nrad；
sgaskellanddickensoldcuriosityshop；davidfperfield；olivert；
doeyandson；nicholasnickleby；ataleoftascarol；hard
tis｝riderhaggard；throughtheinfluenceoflinshustranslations；hasobtaineda
popularityentirelyoutofproportionhhisstandingthepoetsarerepresentedby
spenserfaerieqyeene；broh；eest
doerchantofvenice；asyoulikeit；th
night；hyviandrooandjuliet梤atherhaphazard；asonecansee｝havebeen
translatedbysepa
………………………………
第92节
ratetranslatorsthedraisrepresentedbygalshysevenof
hisplays；pinero；jones；sheridanschoolforscandaland
shasandthe
n；alanandsupeandpygliontheirishschoolisrepresentedbysynge
anddunsanyessayistsarerepresentedbyla；aoldbentandxbeerboh
jasbarrieandoscartention；therearetwo
translationsofladye；alsowildes
pictureofdoriangrayanddeprofundishavebeentranslatedhgwellsisknown
throughhistianintheon；
andespeciallythroughhisshorthistoryoftheashardyisonlyknown
throughhisshortstoriesandpoe；althoughhisnaisveryfaliarkatheiine
nsfield；throughtheinflueno；isratherhis
listversonlyauthorsand；of
urse；doesnotverauthorsinotherfieldslikebertrandrussell；eis
verygreat
inthefreneslikebalzaaupassant
pleteranslated；gide；voltairecandide；rousseaunfessionsandj�ile｝yzolapoorlyrepresented；gautier；
flaubertdabovarythricetranslated；salabdandunsursile｝
duspheetflshavelongbeenpopular；especiallyladaauxcallas；hhas
beenpropertyangthechinesehugoisedbyles
travailleursdelar；lesserables；notredadeparis；quatrevingftreize；
heani；ruyblas》andluanticistsarerepresentedby
chateaubriandatalaandrenandbeardinedesaintpierredaudetssapphoand
prevostsnonlescautare；ofurse；favouritesbaudelaireiswellknown；and
rostandscyranohasitsdevoteesbarbussehastvvotranslationsofhisnovelsle
feuandclarte；andeventhelongjeanckristopkeofrollandisnowavailablein
oureidela
rt；
ongwhoseworks
faust
sterhavebeentranslated；andschillerdiejungfrauvonorleans；
；
freytagdiejoualisten；heine&jderlieder；selected；anddieharzreisede
lattefouqusundineandstorienseethreetranslationsareextrely
popularhauptnnisknohroughhisdieehahn；derbiberpelz；
einsanschenandhisrecentnovelderketzervonsoanatranslations；
eofagazineangothers
aresudensfrausorgeandredeworkslikewedekindsfruhlings
erhenandleonhardfrankskarlundanna
apartfrofeharsstoarktwainand
jaerioredeworks
thebestknoehthetideofrussian
nistliteraturethirteenofhisranslated；andinthiscategory
yalsobentionedchaelgoldsshortstoriesandhisnovel；jehout
neysinclairleainstreet；andtheodoredreiserbya
voluofshortstories；althoughbotharewoofeugeneoneilfsplays
beyondthehorizonandtheonofthecaribbeeshavebeentranslatedpearls
bucksthegoodearthexistsintranslations；
storieshavealsobeentranslated
thetideofrussianliteraturecainorabout1927entofthe
nankinggoventandthesuppressionofthenistventfor；like
literaryjabitisnengland；；
literarybolshevisnundatedchinaafterthesuccessofthenationalistrevolution
thetrendousyoungenthusiasakethenationalist
revolutionin19267areality；htheofficial
suppressionoftheyouthventbythekuontang；andaprocessofintroversion
tookplaceastrongundercurrentageneraldissatisfactionhthethingsastheyare
andsothetidetuedthetruetous
h”proletariatliterature”oaeefoundalarcefollowingleaders
ofrenaissaneoutofdateoveight；andweregenerouslylabelledas
”oldn”youngchinaostintellectualleadershad
leaedtokeepquietandstartedllectingcuriosandoldsealshushihntinuedto
thunderandtoroar；buthisparativelyapatheticaudience；h
ethingverychreradicalchoutsojen；yutafuandersofthe
ytissuschooluchindividualiststojointhethronglusinfought；resisted
thetideforayearandthenover
intheshortspaceofhardlyteraryworks；
longandshort；arketent
uldquiteothesituationtheseincludehefollohors：
lunacharsky；liebediensky；chels；fadeev；gladhov；kollontay；shishkov；
ronov；pilniak；ognyov；sosnovsky；shaginian；yakovlev；alexeitolstoy；
dedov；ere
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